Extant sociological theories of gendered power within marriage focus on how social forces—such as gender inequality—shape women’s power within already established partnerships and subsequently affect their risk of intimate partner violence. Yet, inequitable social forces similarly shape women’s life conditions prior to and during the marital transition, with implications for women’s power in marriage. In Myanmar, gender relations between women and men historically have been touted as equitable and advantageous to women. Rare qualitative data find that structural gender inequalities permeate (...) Myanmar society, and intersect with other social forces, to constrain women’s marital power. In particular, we argue that women’s transition into marriage is a critical period to assess how gendered social inequalities determine the future distribution of power within marital relationships. These premarital social processes result in a “preconditioning” of relationship dynamics from the onset of marriage, with long-term effects on women’s power within the relationship, and subsequent exposure to intimate partner violence. We encourage sociological work on gendered power in the family to systematically consider women’s premarital social conditions as predictors of women’s relative power in marriage, with implications for their health and well-being. (shrink)

Theory in Africa, Africa in Theory explores the place of Africa in archaeological theory, and the place of theory in African archaeology. The centrality of African models in reconstructions is explored, focusing on materiality and agency in the past. The differences between how African models are used in western theoretical discourse and the use of that theory within Africa are also highlighted, as a means to explore the nature of theory itself. Thus, this dual purposed volume is a timely intervention (...) into archaeological theory, deconstructing the taken-for-granted foundations of the ways we approach the past. (shrink)

“Responsible research” and “good science” are concepts with various meanings depending on one’s perspective and assumptions. Fellow researchers, research participants, policy makers and the general public also have differing expectations of the benefits of research ranging from accurate and reliable data that extend the body of knowledge, to solutions to societal concerns. Unless these differing constituencies articulate their differing views they may fail to communicate and undermine the value of research to society.

Malformations concerning the ventral body wall constitute one of the leading categories of human birth defects and are present in about one out of every 2000 live births. Although the occurrence of these defects is relatively common, few detailed experimental studies exist on the development and closure of the ventral body wall in mouse and human. This field is further complicated by the array of theories on the pathogenesis of body wall defects and the likelihood that there is no single (...) cause for these abnormalities. In this review, we summarize what is known concerning the mechanisms of normal ventral body wall closure in humans and mice. We then outline the theories that have been proposed concerning human body wall closure abnormalities and examine the growing number of mouse mutations that impact normal ventral body wall closure. Finally, we speculate how studies in animal models such as mouse and Drosophila are beginning to provide a much‐needed mechanistic framework with which to identify and characterize the genes and tissues required for this vital aspect of human embryogenesis. BioEssays 26:1307–1321, 2004. © 2004 Wiley Periodicals, Inc. (shrink)

This book walks us through the process of how artworks eventually get their meaning, showing us how curated exhibitions invite audience members to weave an exhibition's narrative threads, which gives artworks their contents and discursive sense. -/- Arguing that exhibitions avail artworks as candidates for reception, whose meaning, value, and relevance reflect audience responses, it challenges the existing view that exhibitions present “already-validated” candidates for appreciation. Instead, this book stresses the collaborative nature of curatorial practices, debunking the twin myths of (...) autonomous artists and sovereign artistic directors and treating presentation and reception as separate processes. Employing set theory to distinguish curated exhibitions from uncurated exhibitions, installation art and collections, it demonstrates how exhibitions grant spectators access to concepts that aid their capacity to grasp artifacts as artworks. -/- To inform and illuminate current debates in curatorial practice, Spaid draws on a range of case studies from Impressionism, Dada and Surrealism to more contemporary exhibitions such as Maurizio Cattelan “All” (2011) and “Damien Hirst” (2012). In articulating the process that cycles through exploration, interpretation, presentation and reception, curating bears resemblance to artistic direction more generally. (shrink)

This dissertation argues that the desire satisfaction theory, arguably the dominant theory of well-being at present, fails to explain why depression is bad for a person. People with clinical depression desire almost nothing, but the few desires they do have are almost all satisfied. So it appears the theory must say these people are relatively well-off. A number of possible responses on behalf of the theory are considered, and I argue that each response either fails outright, or requires modifications to (...) the desire satisfaction theory which make the theory unattractive for other reasons. Advisors: Joseph Mendola and John Brunero. (shrink)

There is disagreement in the literature about the exact nature of the phenomenon of empathy. There are emotional, cognitive, and conditioning views, applying in varying degrees across species. An adequate description of the ultimate and proximate mechanism can integrate these views. Proximately, the perception of an object's state activates the subject's corresponding representations, which in turn activate somatic and autonomic responses. This mechanism supports basic behaviors that are crucial for the reproductive success of animals living in groups. The Perception-Action Model, (...) together with an understanding of how representations change with experience, can explain the major empirical effects in the literature. It can also predict a variety of empathy disorders. The interaction between the PAM and prefrontal functioning can also explain different levels of empathy across species and age groups. This view can advance our evolutionary understanding of empathy beyond inclusive fitness and reciprocal altruism and can explain different levels of empathy across individuals, species, stages of development, and situations. Key Words: altruism; cognitive empathy ; comparative; emotion; emotional contagion; empathy ; evolution; human; perception-action; perspective taking. (shrink)

Prologue -- Law and science in the Western way of war -- The American way of war -- Vietnam and the "science" of war -- Immaculate destruction: reorganization, revolution and re-enchantment of war -- Revolution denied : the "war" on terror -- Back to the future?.

This open access book provides a broad context for the understanding of current problems of science and of the different movements aiming to improve the societal impact of science and research. The author offers insights with regard to ideas, old and new, about science, and their historical origins in philosophy and sociology of science, which is of interest to a broad readership. The book shows that scientifically grounded knowledge is required and helpful in understanding intellectual and political positions in various (...) discussions on the grand challenges of our time and how science makes impact on society. The book reveals why interventions that look good or even obvious, are often met with resistance and are hard to realize in practice. Based on a thorough analysis, as well as personal experiences in aids research, university administration and as a science observer, the author provides - while being totally open regarding science's limitations- a realistic narrative about how research is conducted, and how reliable ‘objective’ knowledge is produced. His idea of science, which draws heavily on American pragmatism, fits in with the global Open Science movement. It is argued that Open Science is a truly and historically unique movement in that it translates the analysis of the problems of science into major institutional actions of system change in order to improve academic culture and the impact of science, engaging all actors in the field of science and academia. (shrink)

Inspired by Charles Taylor’s recent quest for the meaning of religion today, this article concentrates on the question of the meaning of religious education today. The focus is not so much on the ‘what’ but instead more on the ‘where’ and the ‘how’ of RE. The view on what is held to be a pedagogically tenable position regarding RE is build up by methodologically using a differentiated practical–theological three-course model that distinguishes between the public, the social and the private domain. (...) Developments and tendencies within the three domains are shown in respect with religion as such and RE in particular. It is made clear what this may mean for religious educators and philosophers of religious education today, who conceptualize religious education as an impossible possibility. (shrink)

In treating care as a moral imperative, the ethics of care aims for normativity, yet its normativity is thrown into jeopardy by the fact that standards of care vary dramatically among care-givers. To counter the limitations of care ethics, I propose care aesthetics, whose success reflects measurable metrics. Rooted in ameliorative practices, care aesthetics stresses the well-being of the cared-for, whereby flourishing entails both capacity and access. Thus, care aesthetics and care ethics are distinct, since the former treats the well-being (...) of the cared-for as proof of the “sign that our caring has been received”. To demonstrate the measurable features of well-being, I offer two concrete examples: one proposed by landscape architect Joan Iversson Nassauer and another focused on curatorial practice (curare is Latin for care). To explain why philosophers have overlooked the role of well-being in signalling the success of care, I describe how concepts such as balance, harmony, order and unity, which were originally characterised as material, became immaterial aesthetic concepts by the 20th Century. I then circle back to connect well-being to epistemology and ethics, before discussing how the goal to enhance the well-being of cared-fors and care-givers alike stands to enrich quotidian experiences. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Ethics & the Environment 8.1 (2003) 93-101 [Access article in PDF] A Political LifeArendtian Aesthetics and Open Systems Sue Spaid Since the 1990s, artists have broken ground by producing works that are "open systems." That is, they are incomplete, participatory, and elastic. In this paper, I will argue that open systems exemplify Hannah Arendt's conception of vita activa, in contrast to art's traditional role as inspiring vita contemplativa. (...) Since they do not explicitly affirm or refute political policies, such works are generally not considered "political" art. However, they accommodate Arendt's notion of the political life, since they incorporate process, durability, pluralities of spectators, and unpredictability. Furthermore, because they do not resemble what ordinarily passes for art, reflective judgment is required to engage them, and to determine whether they are art.Echoing Diotima's interest in immortality, Arendt links beauty to durability. Open systems are particularly durable because we remember them as a public experiences that include participants and spectators. Such performative and pleasurable worldly actions entail aesthetic engagements that are very much in line with Arendt's description of the political life. Critical Engagement In the sphere of fabrication itself, there is only one kind of object to which the unending chain of means and ends does not apply, and this [End Page 93] is the work of art, the most useless and, at the same time, the most durable thing human hands can produce... It is the reification that occurs in writing something down, painting an image, composing a piece of music, etc. which actually makes the thought a reality; and in order to produce these thought things, which we usually call art works, the same workmanship is required that through the primordial instrument of human hands builds the other, less durable and more useful things of the human artifice. (Arendt 2000, 177-78) In a 1964 interview with Gunter Gaus, Hannah Arendt described herself as a political theorist, who though trained as a philosopher had "said good-bye to philosophy once and for all." In identifying the tension between philosophy and politics, she differentiated man as a thinking being from man as an acting being, and she identified with the latter. She found that, because philosophers cannot be neutral or objective with regards to politics, they share a certain enmity toward politics, and she sought to avoid that response. Not surprisingly, she named Kant as an exception, because he understood this enmity to lie in the nature of the subject itself. In The Critique of Judgement, experience precedes reflective judgement, thus affirming a place for each subject's particular experiences. Kant, too, was a man of action.Kant's aesthetic judgment of taste, which is a normative but non-prescriptive process, makes room for Arendt's notions of worldliness and unpredictability. Critics have decried Arendt's political theory for its anti-rationalism, political existentialism and "aestheticization of politics," yet much can be learned from her clear commitment to equality, and the way she trusted and perhaps even idealized humanity (Curtis 1999, 18). She wrote, "Only action and speech relate specifically to this fact that to live always means to live among men, among those who are my equals. Hence, when I insert myself into the world, it is a world where others are already present" (Arendt 2000, 179). Given her interest in freedom, active engagement, critical thinking, and anti-instrumentalism, it is perhaps not surprising that Arendt found inspiration in Kant's conception of aesthetic judgment as requiring only communicative sociability, the object's purposeless purposiveness, and the spectator's free play of imagination and understanding.I am interested here in Arendt's aesthetics of the political life in relation to recent art that unwittingly fosters an engaged and open conception of the political. The works in question are not necessarily conscious of their political capacity. Rather, their presence assumes that spectators are [End Page 94] equals, and facilitates an active life, what Arendt described as the vita activa, as opposed to the vita contemplativa, the contemplative life. An active life, which requires a public space, entails active... (shrink)

Addressing the contradictions surrounding modern-day femininity and its complicated relationship with feminism and postfeminism, this book examines a range of popular female/feminist icons and paradigms. It offers an innovative and forward-looking perspective on femininity and the modern female self.

This article looks at a version of the “too-few-reasons” problem for reasons internalism stemming from the existence of cases of clinical depression. People with clinical depression lack motivation to do things like go to work or seek treatment for their depression. Internalism appears committed to saying that such people lack reasons to do these things since internalism makes having reasons depend on having motivations. But, intuitively, depressed people do have reasons to do them. This article considers a number of possible (...) solutions to this problem, such as that depressed people have actual or ideal desires which explain their reasons, and argues that these solutions do not succeed. (shrink)

What is justice? How do we know justice? How is justice cultivated in society? These are the three questions that guide this critical dialogue with two representatives of the Catholic and Protestant traditions: Karl Barth and Karol Wojtyla/John Paul II. Though the two thought leaders are shaped within divergent theological traditions and historical contexts, they both appeal to Christian anthropology as a starting point for justice. Their explorations into the nature of humanity yield robust new theories of justice that remain (...) relevant for our contemporary era. The third interlocutor brings her own voice fully into the dialogue in the third part of the book in order to address the shortcomings in their theories and build upon their insights, all the while seeking theories of humanity and social justice that result in justice for all persons. --back cover. (shrink)

Innere Bilder sind fur das Auge nicht sichtbar, sie sind kein Objekt visueller Wahrnehmung. SIe treten vor das 'geistige Auge'. ZIel des vorliegenden Buches ist die Konzeptualisierung einer Disposition fur innere Bildlichkeit als Erkenntnisorgan neben der Sprache und im Zusammenwirken mit ihr. HErausgestellt wird ein bislang weniger beachtetes menschliches Vermogen, das zunachst als allgemein anthropologische Fahigkeit untersucht wird und in einem zweiten Schritt als spezifisch dichterisches Vermogen. ES stellen sich einige grundsatzliche Fragen: Was sind innere Bilder? Inwiefern sind sie relevant (...) fur unsere Orientierung und fur unseren Zugang zur Welt? Welche Rolle spielen innere Bilder im Hinblick auf Wahrnehmung, Vorstellung und Erkenntnis? Innere Bilder sind erkenntnistheoretisch gesehen eine Herausforderung - sprachliche oder kunstlerische Darstellungsweisen ermoglichen einen Zugang zu ihnen. DIe theoriebildende Arbeit dient im abschlieSSenden Teil des Buches als Instrumentarium fur Studien uber erzahlende Literatur folgender Autoren: E.T.A. HOffmann, Joseph von Eichendorff, Theodor Fontane, Hugo von Hofmannsthal und Thomas Bernhard. (shrink)

L’article s’efforce, à partir de l’analyse des expressions allemandes employées par le jeune Marx, de vérifier la thèse communément admise selon laquelle on ne trouverait dans ce corpus qu’une critique de l’intérêt général tel qu’il a été formulé sous la Révolution française, censé dissimuler l’intérêt de la bourgeoisie. L’analyse fait apparaître qu’une telle critique côtoie un effort théorique pour penser un « intérêt commun » ou « humain » qui, dépassant l’antagonisme des classes, pourrait prendre en charge l’intérêt de tous (...) et de chacun. (shrink)

Inspired by Hamid Naficy’s view that exile ‘thrives on detail, specificity and locality’, Maria Photiou and Marhsa Meskimmon set out to ‘investigate three associated concepts: house, home and homeland’ in relation to artistic practices that explore ‘departures and homecomings, indeed, homemakings’ (p. 1). Given that 68.5 million people were ‘forcibly displaced worldwide’ in 2017, artistic practices and related exhibitions focused on ‘migration, exile, diaspora and empire’ feel especially timely (p. 2). The continuous thread through this book concerns the way artists (...) hailing from elsewhere tend to have convoluted family histories that complicate narratives surrounding personal identity, thus introducing curatorial puzzles regarding how best to interpret, contextualize and/or situate resulting artworks, which can take decades.In order to frame artworks in terms of homeland, displacement and belonging, each of Art, Borders and Belonging’s ten contributors carefully teases out each artist’s unique identity. Since no two identities are ever identical (even among twins), the notion of ‘identity’ as in ‘identity studies’ is a troubling term. Identity studies should have been called either ‘nonidentity studies’ or ‘difference studies’. When it comes to personal identity, however, the term ‘identity’ makes sense, since each one is characterized by a unique string of extant modifiers meant to particularize some individual, thus approximating the identity between the string and the individual. This book’s essays, which analyze artistic practices in relationship to identity, are ideally suited for courses in Philosophy of Culture, Critical Philosophy of Race, LatinX Aesthetics or Radical Philosophy of Migration. (shrink)

Given the coterie of philosophers focused on everyday aesthetics, it's fascinating that gift reception has heretofore managed to escape their scrutiny. To enact a gift, recipients begin by imagining its use. On this level, gifts serve as a litmus test. In luring us, we're taken out of our normal ways of being to experience a different side of ourselves. Enacting a gift is thus a kind of performance, whose value depends on the donee’s interpretation, just as exhibitions, concerts, staged plays (...) or books are performances of visual art, scores, scripts or texts, whose interpretations demonstrate their aesthetic value. To develop the relationship between enacting gifts and performing artworks, I begin by surveying junctures along the gift-event’s arc: reply, imagination, trust, recognition, transformation and memory. Transformations arising from agonistic gifts strike me as significant because they characterise the way gifts challenge our beliefs, eventually altering our values. That we grow to love gifts, which we originally rejected out of hand, casts doubt on self-knowledge. Enacted gifts handily challenge self-knowledge’s twin features: authority and transparency. As this paper indicates, gift reception helps both to understand ourselves better and to remove the obstacles to what Quassim Cassim calls Substantive Self-Knowledge. (shrink)

This chapter explores Pop Art's significance for Arthur Danto's philosophy of art. It looks at the views of British curator Lawrence Alloway, Danto's immediate predecessor at the Nation. In 1974, Alloway defined the core of Pop Art as “essentially, an art about [emphasis mine] signs and sign‐systems”. Danto characterized artworks as the kinds of things that prompt philosophizing, a point that proves especially helpful when attempting to discern art‐cars, art‐cheese, art‐billboards, and art‐photographs from mere things. By 1973, Danto was already (...) grappling with issues inspired by Pop Art's many conundrums. The more artists adopted imagery and formats familiar to commercial art, the more philosophers needed models to discern, for example, James Rosenquist's billboard‐size paintings publicizing pasta, lipstick, cars, and the like, from his actual roadside billboards, hand‐painted between 1957 and 1960. (shrink)

To date, climate justice has been modeled on global justice, giving rise to such notions as ecological space, ecological debt and carbon debt. I worry that global justice fails to compel compliance and ignores hydrological systems’ role in cooling atmospheric temperatures. I thus opt to tie climate justice to hydrological justice, a form of global environmental justice that requires transparency and kinship, and proves more coercive since both burdens and targets are local. To demonstrate this view, I first distinguish global (...) justice from global environmental justice. I next show the limits of Simon Caney’s forward-looking approach to global justice, which commits diverse parties to just burdens to reach just targets in order to facilitate climate justice. I conclude by noting that modeling climate justice on hydrological justice proves compatible with the goals of the Katowice Climate Package, passed in 2018. (shrink)

In this essay, I will show one way in which Ricoeur utilizes Aristotle’s discussions in Rhetoric and Poetics; I will take my point of departure from his hermeneutic theory of metaphor. Here, he reverses the Aristotelian intention by blending the domains of discourse we call mythos and logos in a way which suggests that the latter is subsumed by the former. While one can argue that the two are co-emergent processes, Ricoeur’s formulation undermines one side of the dialectic between them.

Ce texte a déjà paru dans Sofistikê, n° 1, 2009. Nous remercions Stéphanie Orace de nous avoir autorisé à le reproduire ici. Le mouvement plus ou moins caché par lequel ce qui n'est pas encore est déjà ou est entièrement dans ce qui est […] s'appelle le rythme. Paul Valéry Comme l'a précisé Jean Mourot dès son introduction au Génie d'un style, expliquer le phénomène rythmique est une véritable gageure. Reste le parti de l'empirisme, pris finalement par Jean Mourot, et (...) qui revient non pas à cerner (...) - Poétique et Études littéraires – GALERIE – Nouvel article. (shrink)

Moral duties are regularly attributed to groups. Does this make conceptual sense or is this merely political rhetoric? And what are the implications for these individuals within groups? Collins outlines a Tripartite Model of group duties that can target political demands at the right entities, in the right way and for the right reasons.

With the growth of precision medicine research on health data and biospecimens, research institutions will need to build and maintain long-term, trusting relationships with patient-participants. While trust is important for all research relationships, the longitudinal nature of precision medicine research raises particular challenges for facilitating trust when the specifics of future studies are unknown. Based on focus groups with racially and ethnically diverse patients, we describe several factors that influence patient trust and potential institutional approaches to building trustworthiness. Drawing on (...) these findings, we suggest several considerations for research institutions seeking to cultivate long-term, trusting relationships with patients: Address the role of history and experience on trust, engage concerns about potential group harm, address cultural values and communication barriers, and integrate patient values and expectations into oversight and governance structures. (shrink)

This book brings a new understanding to one of the great documents of American and black history. While most scholarly discussions of The Souls of Black Folk focus on the veils, the color line, double consciousness, or Booker T. Washington, this book reads Du Bois' work as a profoundly nuanced interpretation of the souls of black Americans at the turn of the twentieth century. Demonstrating the importance of the work as a socioh-istorical study of black life in America at the (...) turn of the twentieth century and offering new ways of thinking about many of the topics introduced in Souls, this book charts Du Bois' successful appropriation of Hegelian idealism in order to add America, the nineteenth century, and black people to the historical narrative in Hegel's philosophy of history. It adopts Du Bois' point of view to delve into the social, cultural, political, and intellectual milieus that helped to create The Souls of Black Folk. (shrink)